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Oddity of the Month: Turn of the Century Washburn Parlor Guitar (Repair)

This Washburn Parlor guitar was inexpertly repaired years ago by the owner, when he was a young boy. He received the guitar from his grandfather who originally owned and played it. Mass Street Music Repair Shop Manager Mike Horan shares what work he’s been doing on this rare one….

inside label of an early 20th century Washburn parlor acoustic guitar

The label of the Washburn Parlor guitar - the original owner's name and 'Aug. 1903' appear in pencil

I had to take this parlor almost completely apart to remove the badly reglued joints. I installed a new bridgeplate and several braces to replace the original (destroyed) small Spruce bridgeplate.

clamps on interior front of 20th century Washburn parlor guitar

Clamps hold the new bridgeplate in place til it's dry

The back and sides on this are beautiful Brazilian Rosewood. I’ve reglued all the back braces and glued countless cracks and even spliced in a piece of wood. The back is about to go back on and be refinished.

Back piece of early Washburn parlor acoustic guitar

The inside of the back which is much stronger now thanks to Mike's expertise.

 

view of internal bracing of early 20th century Washburn parlor guitar

Gee your braces look beautiful!

 

back piece of an early 20th century Washbur parlor guitar

Beautiful Brazilian Rosewood on the back of this guitar. It will soon be reunited with the rest of the parlor and refinished for a new lease on life.

(We’ll post more photos when Mike is done resuscitating this beauty!)

 

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April 2012 Mass St Music Staff Gear Picks!

Collings 290 S electric guitar

John's favorite, this Collings 290 S, is easily one of the best of the month, and a brilliant new take on a classic

John FlynnCollings 290 S
Fantastic sounding guitar and so in tune. Collings did a masterful job on this tailpiece. Plus it just looks so good!

 

Collings D1 VN SB acoustic guitar

Jim might end up with this Collings D1 VN SB himself if he doesn't stop looking at it...

Jim BaggettCollings D1 VN SB
We ordered this with the dark, almost Gibson-style shading. Everyone that sees it, including me, is drawn to it. We also did the Vintage Neck on this one, which is so close to the 1935-1939 necks that I am automatically at home. This is one of the Sitka custom models with the Adirondack bracing that we’ve been ordering lately and the sound does not disappoint. I notice this one every day and have grown to like it even more, if that is possible.

 

Eastman E10 OM acoustic guitar

Tim likes this Eastman E10 OM so much he ordered one for himself!

Tim NelsonEastman E10 OM
I like these so much I have one on order for myself. I find the E10 OM is a great balance between performance and price. I have never heard a better $1000 guitar, and the  short scale is incredibly fun to play.

 

Egnater Rebel 30 112 Combo Amplifier

Matthew says, "Plain and simple, this is an amazing amp."

Matthew KhomsiEgnater Rebel 30 112
Plain and simple, this is an amazing amp. The depth you hear out of this amp puts it in a class above any other in this price. It has a direct, XLR, output which also incorporates the tone of the power tubes so guitarists can now enjoy blending a microphone on the speaker and a DI signal like bassists have been doing for years. Behind this great feature is a silent mode for doing late night recording with the DI output on your computer. Overall, I have been very pleased with the Egnater line, but this amp in particular impressed me the most.

 

Fender Passport 500 portable PA system

Alek likes the 'smart design' of this Fender Passport 500 portable PA

Alek NelsonFender Passport 500
This Passport 500 is a really smart design – the three piece system packs up easily into one PA system that’s truly portable but has enough power for the built-in 8-channel mixer that’s made to handle everything from vocals to instruments to music players.

 

Squier Vintage Modified Tele Custom II

Eric chose this Squier Vintage Modified Tele Custom II in part because it's 'unreal for the price'.

Eric PutnamSquier Vintage Modified Tele Custom 2
Squire just keeps making guitars that seem unreal for the price. This Tele is no exception if you are looking for an affordable guitar with p90s that plays great. This is the one.

 

Collings 290 S electric guitar

Ted concurs on Flynn's pick of the month, the Collings 290 S!

Ted KritikosCollings 290 S
I’m borderline obsessed with this guitar. The upgraded Collings wraparound bridge adds a great deal of sustain to the instrument, and it’s compensated to boot, so the intonation stays correct up and down the neck. I think this guitar would be perfect for the discriminating alt-rocker looking for a simple and versatile instrument.

 

Grosh ElectraJet Custom electric guitar

Josh loves how this Grosh ElectraJet, "captures the offset 'melted' body asthetic of a Jazzmaster, but its size makes it as comfortable as a Strat."

Josh BaldridgeRepair ShopGrosh ElectraJet Custom
I have been looking forward to hearing this guitar ever since Grosh told us of the new pickup they were designing. The Electrosonic pickups are great…they have the rich tone of an overwound single coil pickup (i.e. p-90 or Jazzmaster) but with so much more clarity than most. I love how the ElectraJet captures the offset “melted” body aesthetic of a Jazzmaster, but its size makes it as comfortable as a Strat.

 

Squier Vintage Modified Surf Strat in Surf Green finish

Matt's loving the entire Squier Vintage Modified series, but this VM Surf Strat in particular.

Matt HarmonRepair ShopSquier Vintage Modified Surf Strat
I’m really impressed with all the new Squier Vintage Modified series guitars. The last 5 guitars that have gone through the shop for free set ups have all been incredible guitars. Somebody at Fender made the right choice here, a inexpensive guitar with great playability and good looks. Finally a win from Squier.

 

Gold Tone CC50RP Cripple Creek Resonator Banjo

Jesse's pick, the Gold Tone CC50RP Banjo, gives you a lot of banjo at a low price

Jesse RobertsCC-50RP Cripple Creek Resonator Banjo
This CC-50 gives you a lot of bang for the buck – nicely made and great sound.

 

Squier Mini Strat 3/4 sized electric guitar in pink

Anne picked the Squier Mini Strat & would have had one when she was 12 if she could turn back time.

Anne TangemanSquier Mini Strat
Ah, if I could have had one of these back when I first tried to learn to play guitar! Instead I toiled with a too-large-for-me acoustic and gave it up til my 20s. This is really great for beginners with smaller hands plus it’s just fun to have around even for an adult. ¾ size classic strat-ness! Comes in other colors too, but how cool is this bubblegum pink?!!

 

Stanton DJ Pro 1000 MKII Headphones

If you could just see Chucho jamming with his headphones...

ChuchoStanton DJ Pro 1000 MKII Headphones
Sleek, lightweight, powerful and best of all balanced with full bass. Chucho’s been rocking around the repair shop with these on lately but alas, he’s too quick for a photo.

 

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New On the Bench Project: ‘Ugly Duckling’ ’40s Gibson J-35

1940s Gibson J35 acoustic guitar, close up

Jim's latest fixer upper is this well-loved J-35 from the '40s

 

This Gibson J-35 is from the 1940s. Mass St. Music co-owner and luthier Jim Baggett below discusses what he called the ‘Ugly Duckling’ and how he’s breathed new life into it. Check out all of our ‘On The Bench’ instruments here.

From Jim:

About six months ago, this not so pretty 1940s Gibson J-35 showed up at Mass St. Music. Frets were worn to the nubs and the top finish had been botched up with some pretty crude finish work and repairs.  I didn’t pay much attention to the guitar at first, but being a J-35 fan, I finally picked it up.  I was pleasantly surprised with the tone and realized that in spite of the cosmetics, the guitar was in pretty decent shape.

Bridge 1940s Gibson J-35

The toothy saddle here won't win any beauty contests...

 

bridge with saddle replaced

New saddle in place, lookin' good.

The original owner must have appreciated the tonal characteristic, as the play wear was all the way up the neck. I just recently refretted the guitar and replaced the deeply worn, but original saddle. The guitar has completely jumped back to life. I have decided to do nothing about the cosmetic appearance of the top. I may fill the open control knob hole in the top, but realizing that it has no effect on the tone, my current thought is to stick to my original objective of dealing only with the the guitar’s strengths, which are tone and playability. It has become like a comfortable pair of shoes.

front Gibson J-35

The Ugly Duckling 1940s Gibson J-35 'before' photo - new frets are in but saddle yet to be replaced.

 

Jim Baggett working on a vintage Gibson J-35

Jim at his bench working on the J-35

 

Headstock 1940s Gibson J-35

The homely headstock

 

Close up of hole in top of 1940s Gibson J-35

Formerly housed control knob, now just a hole.

 

New frets (close up) on Gibson J-35

The J-35 with some spanky new frets

 

Gibson J-35 1940s refretted and new saddle in place

Unmatchable tone and now great playability is restored.

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Oddity of the month: A Harwood Instrument Trifecta

 

Harwood guitar with strings off

This Hardwood guitar is a customer's, currently in for repairs, but we had to share an image of it with you.

Mike H. in the Repair Shop just shared with me that we happened to have three Harwood instruments from two different customers in for repairs right now. The history of these turn of the 20th century instruments was recently featured in Fretboard Journal. One guitar had the neck off for repairs, but here are photos of the other guitar and one mando – just beautiful and so well made.

Harwood guitar close up of soundhole

Really nice soundhole inlay on this Harwood

 

One of these belongs to a good friend of the store, who incidentally is related to the folks who ran Jenkins Music in Kansas City, which sold Harwood instruments. These were made in the late 1800s – early 1900s and look like they will stand the test of time after a little TLC from our repair shop.  Fretboard Journal’s fantastic article on the history of Harwood can be found in their Issue 23 which had Gillian Welch on the cover.

Harwood mandolin or mandolino

This Harwood mandolin is a real beauty.

 

Harwood Mandolin closeup of pickguard

A closeup of the Harwood mando's decorative pickguard

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Squier Guitars? YES!

Squier Classic Vibe Tele Thinline

Squier? Yeah, it's a Squier, and it rocks. And twangs, and swings...

Long thought of as guitars or basses for beginners only, or Fender’s ‘budget’ line, Squier has really upped their game in the past few years, particularly with the Classic Vibe and Vintage Modified lines. We just received several new models and are really impressed. Seriously. From the great pickups to the attention to the frets to the cool homages to classic Fender models, we love Squier plain and simple. It’s not a Grosh or Anderson, but it’s built well, sounds great and there are some really cool models like the Squier Tele Thinline available. We’ve found more pro gigging customers that have been picking these up as second guitars, as replacements, or as subs for higher end gear they simply don’t want to expose to the ravages of the road. The CV and VM lines are levels above the Affinity line in terms of construction, materials and finish details. You’ll find smooth, super playable necks, 3 ply pickguards instead of 1 ply, cool pickups and great finishes.

Squier Vintage Modified Surf Strat in Sonic Blue

Cowabunga! This Squier VM Surf Strat is loaded with lipstick tube style pickups!

The CV line gives you killer classic models like the CV 60s Strat while the Vintage Modified line tweaks the classics with some crazy cool pickup configurations and change ups like the VM Surf Strat with lipstick tube style pickups and the VM Tele Custom II with P90s. Have I mentioned the VM Jazzmaster? Sigh. The prices have gone up a bit on Squiers (like everything else these days), and none come with cases or gig bags, but they still remain, hands down, one of the best bang for the buck guitars out there today.

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