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Mass St Music May 2012 Staff Gear Picks!

Changing up gear for spring has hit the staff like hay fever – everyone  is making some changes and tweaks to their rigs – from repair shop upgrades (installing Fralin P90s, oh yeah)  to new pedals (Little Black Buffer!) and more. Here are a few of the coolest things we’ve been gawking at around the store lately:

Helweg Pedal Board, closed

John's own Helweg Pedalboard (& pedals!) will be featured in next month's newsletter

John FlynnHelweg Pedal Board
Impeccable quality and an essential part of my rig. (Note: We’ll be profiling Boss Flynn’s own pedals & board next month!)

 

Collings MT GT Mandolin

Jim's pick is this 'perfect' Collings MT mandolin

Jim BaggettCollings MT Mandolin )
Beautiful, plays great and you do not want to put this mando down. It’s absolutely perfect.

 

Bourgeois OMS custom acoustic guitar with burst finish

This beautiful Bourgeois OMS Custom is Tim's favorite

Tim NelsonBourgeois OMS Custom
I really like this guitar – it has a smooth, even, and mellow sound. It’s equally at home either strummed or finger-picked. I love the look too – a very cool sunburst set off nicely with a slotted peghead and Waverly tuners with Snakewood buttons. Even has a Fishman pickup.

 

Mogami 12 foot right angle instrument cable

Matthew still has his 4 year old Mogami cable, which he says is 'worth every penny'

Matthew KhomsiMogami Platinum 12′ Right Angle Cable
I must have gotten one of these cables four years ago and I still feel this was a great investment.  Occasionally, I’ll compare it to some cables from one of my band mates and every time this Mogami is drastically better.  These cables are worth every penny.

 

Analog Outfitters Sarge Amplifier Head in metal box

Alek's pick is a "15 watt monster!"

Alek NelsonAnalog Outfitters The Sarge Amp Head
The Sarge is a 15-watt monster! Unreal tone that will go from rich and warm to throaty and angry. The tubes easily break up at lower volumes, also it’s really touch sensitive. One of the best sounding and looking heads in the store by far.

Ted KritikosAnalog Outfitters The Sarge Amp Head
I think this is the most exciting new amp we’ve seen here at MSM in awhile.  I love the tone of this amp as it opens up – it’s gritty in a cool, natural way.  I’m not an electrical engineer, but I suspect that the amazing tone has something to do with the HUGE Hammond transformer in there – that’s a serious hunk of iron!  And, best of all, I dig its re-purposed nature and vintage vibe.  This is one all-around amazing head!

 

Demeter Fuzzulator guitar effects pedal

We'll have more of these Fuzzulators in soon - dang, Eric bought the last one!

Eric PutnamDemeter Fuzzulator
This is the best fuzz I’ve heard. I have been searching for a fuzz that sounds great in a full band situation and I found it. I was also surprised to find that it sounds just as good with humbuckers as it does with single coils. It remains very articulate and does not get too muddy. I liked it so much that I bought one.

 

Ome Bright Angel banjo

Horan's pick is the exceptional Ome Bright Angel, "Almost plays itself". That'd be a neat trick, but really cut into the banjo player jokes...

Mike HoranRepair ShopOme Bright Angel Banjo
This Bright Angel is an excellent example of a traditional music machine with all the amenities of a modern artisanal instrument. The lustrous finish is beautifully off-set by the ivoroid-bound rim and moon and stars inlay. This banjo has a clear, crisp tone with excellent mid-range projection, and Ome’s fret work is the best in the business; it almost plays itself.

 

Harmon Doc Brown T electric guitar

Runyon's pick, the Harmon Doc Brown T, is a "boutique quality instrument with a production price tag" - sweet!

Mike RunyonRepair ShopHarmon Doc Brown T
Excellent value! Wow. This was assembled and customized by my Repair Shop compadre Matt Harmon. The body and neck are All Parts parts, but the body has a tasty nitrocellulose burst finish and the neck and frets have been expertly dressed (nice job Matt!). The real kicker though is the electronics – the concentric pots ensure you get pure signal paths from the neck humbucker and the bridge single coil for both traditional and unique tones. It’s seriously a boutique quality instrument with a production price tag. Awesome!

 

Fender Blacktop Baritone Tele electric guitar

"Way cool" Jesse says of his pick, the Fender Blacktop Baritone Tele

Jesse RobertsFender Blacktop Baritone Tele
This bari tele is rich. Long scale but still has great playability. With the HSS configuration, you can easily get lost in the spacious rumble, or still dial in some twang if you want. And to top it off, it has a smooth copper finish with just a bit of sparkle. Way cool. Way cool.

 

Kala KA-SEM Soprano Ukulele

Anne has her eye on this Kala KA-SEM Soprano Uke

Anne TangemanKala KA-SEM Exotic Mahogany Soprano Uke
What a sweet uke! I started playing uke not long ago and I’ve been wanting to get a new one with geared tuners – this beauty fits the bill and more. Looks amazing, sounds great and is priced well – I can’t believe how nice this is for the price. There are a lot of cheap ukes out there and I highly recommend getting a decent one with geared tuners – definitely worth the dough.

 

Shure SE215 Earphones

Chucho's new favorite earphones are super sleek with really true sound

ChuchoShure SE215 Earphones
When Chucho’s rocking out to the new Jack White album, he prefers to use these earphones as they’re discrete, super comfortable, and have impeccable sound.

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1936 Martin 000-28 Repair – New Life for a Family Favorite

1936 Martin 000-28 with a new period correct bridge by Mike Horan

Dan Heavin's 1936 Martin 000-28 after Mike's period correct bridge was installed, before the other extensive work began.

One of our most interesting repairs of the last few months at Mass St Music has been Dan Heavin’s 1936 000-28 Martin, which our Repair Shop manager, Mike Horan worked on. Dan, who is a civilian fire captain working on a US Military base in Afghanistan, received this amazing vintage Martin from his mother in 1996. It was originally purchased by Dan’s grandfather, new, back in 1936. It’s been well-loved and well-played over the years. At some point in the ’50s it had a significant amount of work done to it – most likely by Martin Guitars. They did a refret, replaced the inlay with larger pieces, refinished the instrument, and possibly did a neck reset. They also installed new tuners, which was the definitive clue that the repairs were done in the ’50s.

Back of guitar neck from '36 Martin, refinished in 50s, too dark

Note the refinishing done by Martin in the 50s - much darker and flatter, both on the neck and headstock

The back of the neck in particular had an unusual flat, darker opaque finish. The bridge also had been replaced with an oversized one which had been shaved away over the years to compensate for the neck angle, which over time often needs to be reset. Why the new, larger inlays, larger bridge and darker finish?

“You have to keep in mind that back in the 50s, this guitar was maybe just 20 years old and had some real wear and scratches,” Mike explained. “They weren’t envisioning it being a valued vintage piece, they just wanted to make the guitar look and play like new again.”

Mike Horan giving thumbs up that Dan Heavin's Martin guitar arrived ok

We emailed this photo to Dan to let him know the guitar arrived just fine & that Mike was about to start the restoration process

As Dan was overseas, he wanted a little reassurance we had received the guitar in once piece (even though we were about to take it apart!). We kept in contact with him, as we were able, throughout the journey of the restoration process. Mike gave Dan a ‘thumbs up’ in the photo above that everything was looking fine so far. We also documented the serial # markings for posterity.

Martin guitar serial number marking 63485

The serial number marking

Mike set about restoring the instrument, removing the neck from the body, and tackling the bridge first. He replaced it with a custom reproduction bridge he crafted in the repair shop himself. He also re-glued 6 back braces.

New custom period correct bridge on vintage Martin guitar

Mike did a beautiful job creating the new, period correct bridge

 

Custom bridge for vintage Martin Guitar

Lookin' sharp

Next up in the process was the refinishing of the neck. This was the most time-consuming of all the repairs. Here you can see Mike’s restoration with a more authentic color and a truer, translucent finish that shows the wood beautifully.

 

restored finish on back of neck of vintage Martin guitar

The restored neck shows a truer, translucent finish - nice job Mike!

 

heel of vintage Martin guitar

The neck is reattached and ready for some inlay work and the refret

Mike then reattached the neck to the body, then set about first restoring the inlays which were larger from the ’50s repair work. He pulled the inlays, filled them with Ebony, sanded them down and replaced them with smaller inlay correct for a ’36.

larger inlays on vintage Martin, not period correct

The 'before' neck with the larger inlays Martin likely put in when the other work was done in the '50s

 

New period correct inlay work on vintage Martin guitar

Check out the new, period correct inlay work

He then refretted the guitar. (Check out this Bourgeois repair for images of Mike doing a refret). Adding period-correct Waverly tuners was the last major step.

Mike Horan with 1936 000-28 Martin guitar he restored

Mike with the restored '36 Martin 000-28. It's ready for a new generation!

All in all, this extensive repair job (balanced with other repairs he was tackling concurrently) took about 8-9 months. We’re happy to report that this ’36 Martin 000-28 was shipped to Dan Heavin’s home last week.

Dan Heavin, his mother and his grandfather's 1936 Martin 000-28 Guitar

Dan and his mother with his grandfather's newly restored 1936 000-28 Martin guitar

Dan said his mom loves the guitar and that she told him, “Grandpa would be so proud of it.” He added, “Thank you all once again for doing such a wonderful job on it. The sound on it is amazing. I could not have asked for anything else. It is perfect. I played it and then played my 2010 HD-28V and the ’36 sounds so much better.” He also told us that the guitar will stay in the family and he looks forward to giving it to his own son someday.

Check out more info on our great Repair Shop here & more info on available Vintage Guitars at Mass St Music here.

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Who is that jamming upstairs at Mass St Music? Leftover Salmon!

Vince Herman and Andy Thorn of Leftover Salmon at Mass St Music in Lawrence Kansas

Vince (left) and Andy of Leftover Salmon played some 'Deep River Blues' while Josh made a quick repair to Vince's guitar.

Last Thursday (April 12) Leftover Salmon guitarist Vince Herman and banjo player Andy Thorn stopped by Mass St Music for a quick repair to Vince’s guitar before their show at Liberty Hall in Lawrence. Vince and Andy played some cool tunes up in the acoustic room while waiting for Josh to finish up Vince’s repair. My favorite? Their sweet rendition of the classic ‘Deep River Blues’.

Vince Herman and Andy Thorn of Leftover Salmon hanging out at Mass St Music in Lawrence kansas

They were also kind enough to let us snap a few photos!

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What’s behind that door? 6 Vintage Sunbursts…

3 vintage 1930s Burst acoustic guitars and one Martin

A vintage burst bonanza graced Jim's office the other day! Vintage 30s acoustics

The arrival at Mass St Music the other day of a pristine sunburst late 30s L-00 Gibson aroused my curiosity about variances in sunburst style and color. There are clear and distinct differences in L-00 guitars from earlier years, but I was just curious as to the differences of color in guitars that were all close to the same age.  I seem to have accumulated quite a few lately and pulled five out for comparison. They  are my children, so of course I like them all, but found the variety interesting and of course a good photo opportunity. The five Gibsons are all late 30s and just for contrast I threw in a 1937 Martin D-18.  – Jim Baggett

Ed. note: though these are not for sale, we often have some spectacular vintage instruments at Mass St Music, easily found here on our vintage page. We also have a variety of newer fine burst acoustics in right now like this used Bourgeois Slope D, this Collings CJ G Maple Custom, this Eastman E10 SS Slope Shoulder, and this Leo Posch DM. Check out all our full selection of acoustic guitars here.

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Mass St Music is Giving Away an Eastman AC420 Acoustic Guitar!!!

Eastman AC420 acoustic guitar

(Game show host voice...) "Yes, this Eastman AC420 guitar CAN be yours!!!! Enter by May 31."

If you’ve been a friend of Mass St Music for a while, you’ve probably noticed that we really love Eastman guitars! Not only because they sound amazing and are beautifully well built, but they offer real value too. From their ACs to their traditional E series, these guitars offer truly fine quality instruments at low prices. We were thrilled when Eastman recently asked us to join them in giving away an AC420 dread acoustic to one of our customers.

It’s really easy to enter – just stop by our store at 14th & Mass. St. in Lawrence, Kansas by May 31, try out ANY Eastman guitar, then go to Eastman’s website and fill out a super short survey. We’ll even give you a card here at the store so you’ll know right where to go online – EastmanGuitars.com.  Once you fill out the survey on their front page (and indicate you tried it out here at Mass St. Music), you’re entered to win – it’s that easy. On JUNE 1st, Eastman will select a winning entry from our store who will receive a brand new Eastman AC420 -  a wonderfully full sounding and well balanced acoustic with a solid Sitka Spruce top and Rosewood back and sides with a gloss nitrocellulose lacquer finish, valued at $840 ($1050 full retail) – complete with a hard case too. Of course, we’ll set the guitar up for you as well, for free.  Not a bad way to start the summer!

 

 

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