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On the Bench: 1939 Martin D-18

Mass St. Music co-owner Jim Baggett explains the next steps in the restoration of the 1939 Martin D-18 that is our latest ‘On the Bench‘ project. It should be finished and ready for sale in June or July 2012. From Jim:

1939 Martin D18 Acoustic Guitar before restoration

The '39 Martin D-18 before we began work on it.

We recently acquired a 1939 Martin D-18 (serial #73525). Always one of our favorite guitars. This is one of the dirtiest guitars I have seen in a while but, though worn through in the expected normal areas, the original finish remains intact.  The bridge is not original and the neck has been previously reset and is in need of a fresh reset and refret. Since the bridge would not be reused and there was no way of knowing the type of glue that was used, we elected to plane the bridge down very thin before removing it. This can be done with a small hand plane or a router and jig. I had just reset and sharpened my planes, and was not all that interested in spraying the shop with ebony dust, so I decided to do it the old fashioned way.

Jim Baggett shaving the bridge on a 39 Martin D18 to thin it before removing and replacing it

Jim (very carefully!) shaves the bridge down on the Martin before removing it.

 

acoustic guitar bridge in process of being shaven down prior to removal and replacement

The bridge shaving in process...

Acoustic guitar bridge shaved down as low as it can go before removal

The bridge shaved down as low as Jim would go before heating and removal.

Once I had the bridge down to about .080″, very little heat was required to free it up. It came off slowly, but not a splinter of Spruce came with it. The surface should clean up nicely, and even though the bridge that was removed was a tiny bit oversized (as is common), I don’t think it will be much of a challenge to make a new bridge that is the correct size and profile. The fact that the original bridge plate is clean and nice should make for a great tone sandwich.

 

Jim Baggett gently prying up a thinned down guitar bridge to remove it and replace

After heating, Jim gently brought the bridge up with no damage to the soundboard.

 

Vintage Martin bridge finally removed, with no damage to the soundboard

Success!

The next step was to remove the neck. The previous neck set was a bit sloppy and had excess glue, requiring patience, but it has paid off as the beautiful heel of the 30s Martins remains uncracked. The original finish, though chipped and scratched, has a great look that goes with the rest of the guitar.

vintage Martin neck removed prior to neck reset and restoration

A little patience helped Jim remove the neck, which had excess glue from a previous reset.

 

Back of the neck of vintage 1939 martin D-18

Off and ready for a reset...

 

Neck pocket of a 1939 martin acoustic D-18 guitar

The neck pocket

 

The guitar and neck are now ready for our Repair Shop Manager and luthier Mike Horan to get busy on. Making a prewar style bridge is harder than one might imagine, but having lots of original prewars at the shop and having made dozens, Mike has it down. We also have a secret stash of beautiful, naturally dark Ebony set aside for these special and deserving instruments.

The bass bout of vintage 39 Martin D-18 before restoration

The lower bass bout is just one of the areas on this '39 Martin that definitely needs a little TLC cleaning!

 

Lower Bass Bout of vintage Martin D-18 showing dirt  accumulation before restoration

The lower treble bout is another area that will get some TLC clean up!

I wanted to share some pics of the guitar in the dirty phase and will try to remember to update with more photos as the cleaning goes along. We have learned that patience pays off in this process. There is just no easy, quick way to get through 70 years of sweat and dirt, but I have always found the end result of a worn, honest finish to be worth all the effort. – Jim Baggett

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Coming Soon! New Fender Gear, Dr. Z, Anderson, more

Fender has some great new gear for 2012 headed our way including some new amps and guitars that we guarantee will knock your socks off, plus some special editions that we’re really looking forward to. Our lips are sealed at the moment, but you’ll be the first to know in just over a week. Now if someone else were to let the cat out of the bag about the new tube amp and new guitars…

From Dr. Z we’re getting in more Maz 8 amps, plus Dr. Z Maz 18 112s (both an NR, a regular, and an NR Head), a couple of 110s, a 112, a Carmen Ghia 112, and a 210.

Egnater Rebel 20 amp head front view

The Egnater Rebel 20 Head, at Mass St Music soon!

Egnater!!! Yes, we’re adding Egnater Amps to our line up. After checking them out thoroughly, we know they’ll be a great addition. These are killer tube amps, competitively priced and they offer some nice alternatives. Here’s a few Egnater sound samples to give you an idea of just what these powerhouses can do.

Collings is sending us an amazing Pete Huttlinger Signature OM1 (due in any day now – will be #8 of 50!  This will have an Adirondack top and a 13/4″ nutwdith.  We’ll also be getting an MF and an MT mando soon, as well as a Collings I-35 LC with a sunburst finish (love these!). We’ll also be receiving several D1 acoustics, as well as OMs and a killer short scale C10 which will have a burst finish. A few spectacular ukes are also headed our way.

From our friends at Grosh, we have several ElectraJets coming including one in a Gold finish, and several RC standards and Classics – one in Candy Apple Red loaded with Grosh Fat 60s pickups, which should be astounding. There are two other very cool NAMM guitars we’ll be getting from Grosh including the very first NOS Retro with single coils, in Mary Kay Aged White finish, and the first RC Standard with an Ash body and Maple neck (also in Mary Kay White).

We’re also pleased to be expecting a few new Andersons including an Anderson Short Mongrel (24 3/4” scale), Alder with a Charcoal Metallic finish, loaded with Anderson’s SFR1, SF1 and an HC2. We’re also getting in a Crowdster Plus in Burnished Orange Burst on a Flame Maple top (Mahogany body) – this finish from them has been one of our favorites for years. Also coming is an Anderson Classic in the very cool Mellow Yellow finish, this one loaded with an SC2, SC2 and SC3 (plus Add Bridge and VA Boost). Just shoot us an email at info@massstreetmusic.com if you’d like more info on any of these items.

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New Books in stock!

Music books graphic featuring Baritone Uke from Scratch and Black Keys - a Collection

Just two of the cool new books we recently received

We’ll soon be adding books to our website lineup, but we thought you’d like to know about some new titles we just added to the store – swing by the store at 14th & Mass to pick one up, or just give us a call at 800-747-9980 if you’d like to order one. One of the coolest is Baritone Uke from Scratch by the incomparable Bruce Emery – who also penned our favorite Guitar From Scratch series. His books really make it easy for anyone to learn, and he has corresponding sound files on his site now, so it’s a breeze to learn. There are plenty of soprano uke books out there, but few on the bari, so this book is a welcome addition to our book selection.

Also new in our ‘stacks’:

The Black Keys – A Collection

Elliott Smith – Songbook

The Beatles – Complete Easy Guitar

Glee – for piano, guitar, vocal

Jaco Pastorius – Bass Method

Tony Rice Teaches Bluegrass Guitar – back in stock

…and back in stock is one of our all-time favorites…the 30 Day Guitar Workout. If you’re just getting back to playing, or want to develop better technique, this is a great day by day guide that really works. Again, you can find these books in stock at our store now, and they’ll be added soon to our website!

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January 2012 Mass St Music Staff Gear Picks!

We’ve got a nice roundup of new gear this month and this is the cream of the crop, in our humble estimation:

John FlynnSeuf OH-19
This Seuf is remarkable in every aspect. Extremely resonant and a complete joy to play. It also is some of the best relic work we have ever seen. Dave Seuferling may be a bit under the radar, but his instruments are as nice (and in most cases nicer) than the best relic builders out there, and they come in at prices that are unmatched.

Seuf OH-19 Strat Style Electric Guitar, Firemist Gold finish

The Seuf OH-19, 'Remarkable' says Boss Flynn

 

Jim Baggett1921 Gibson A Junior Mandolin
This shows its age (you would too after 91 years), but it’s a great player with a really nice, full sound.

vintage Gibson 1921 A Junior Mandolin

Jim's pick turns 91 this year but still sounds sweet.

 

Tim NelsonBourgeois Vintage Mahogany Dread
I love this guitar. It has a nice open quality to it with plenty of volume – it sounds like a good dreadnought should. The bass response is tremendous without sounding tubby.  The folks at Bourgeois always build a nice guitar. I’ve been very happy with the quality coming out of their shop.

Bourgois Vintage Mahogany Dread acoustic guitar

Tim's pick 'sounds like a good dread should'.

 

Matthew KhomsiMono M80 Bass Guitar Case
I am so impressed with the quality and reliability of these cases.  They’re durable, lightweight and not cumbersome like some cases that offer the same amount of protection.  Ever since I got my Mono bag, I haven’t wanted to use any other case.

The Mono M80 Bass Guitar Hybrid Case, in black

Matthew bought one of the Mono M80 Hybrid Cases for himself

 

Alek NelsonFender Pro Junior III Red October 1×10 Amp
The tones you can pull out of the Fender Pro Jr. III Red October are sweet! Even at lower volumes you will hear that beautiful tube breakup! Ideal for getting huge recorded sounds and equally great as a practice/performing amp.

Fender Pro Junior III Red October 110 amplifier

Alek chose the Pro Junior III Red October in part for its 'beautiful tube breakup'.

 

Ted KritikosNord Stage 2 SW73 Keyboard
This Nord is just so powerful.  I love that you don’t have to sort through menus to make the sounds you want – there’s a knob for everything.  And the waterfall action makes this baby play just like a B3!

Nord Stage 2 SW73 Keyboard (Red)

When you're next in the store, ask Ted to demo this keyboard (ask for his rendition of Booker T's 'Green Onions', it's amazing).

 

Zach Mehl - Zvex Instant Lo-Fi Junky Pedal
This is sweet. It sounds like an old tape deck or record player, with a real vintage sound.

Zvex Instant Lo-Fi Junky guitar effects pedal

'Sweet!', to quote Zach.

 

Eric PutnamFulltone Plimsoul Pedal
The first time I plugged into this pedal I loved it. The two gain stages are great – allowing you to get any tone from a light blues to an over-the-top high gain sound. If you’re looking for a solid, versatile overdrive/distortion box, this is it.

Electro-Harmonix Plimsoul guitar effects pedal

Eric's pick: solid yet versatile distortion/overdrive with the EH Plimsoul

 

Isaac FlynnSeuf OH-20F
This Seuf plays incredibly well. It’s one of the nicest teles I’ve ever played, with a super light weight and a great neck. The finish looks incredible too. Dave is truly a master craftsman.

Seuf OH-20F semi hollow tele style electric guitar with f hole, burst finish

Isaac calls the Seuf OH-20F 'one of the nicest teles I've ever played.'

 

Josh BaldridgeRepair ShopEastman T186MX Thinline
Lately I’ve been comparing a lot of pedals and tubes and this Eastman T186MX Thinline has become the humbucker guitar that I have gone to again and again.  The Duncan 59s are wonderful for tweaking til you get just the right tone. Full-on this guitar drives an amp the way you need to rock. Turn down the guitar volumes to pull back the drive and it gives you a smooth, clean sound without the biting treble. To really darken things up for your jazz gigs, the pickups respond well to the tone controls. I’m going to have to get one of these soon because it is too much fun to miss out on.

Eastman T186MX Thinline Electric guitar, classic finish

Josh loves the Duncan 59s in this Eastman T186MX Thinline

 

Jesse RobertsElectro-Harmonix POG 2 Pedal
Crazy cool. This POG 2 sounds fantastic. Welcome to octave town. Dial up everything from lush, organ sounding tones, to harsher synth-esque sounds, to a subtle touch of depth on the back end of your playing. It has plenty of presets to save your favorite effects, and is extremely simple to use. It even works well with an acoustic.

Electro-Harmonix Pog 2 guitar effects pedal

'Welcome to octave town'

 

Anne TangemanGold Tone Banjitar
I’m not really a banjo player, but with this crazy Banjitar, it’s ok. You’ve got a banjo guitar with six strings, a pickup and a sound sure to drive the neighbors away. I kid. This is a total blast to play.

Gold Tone Banjitar banjo guitar

This Gold Tone Banjitar is 'a blast to play'.

 

ChuchoMass Street Music Microfiber Polish Cloth
Chucho doesn’t really clean guitars here at the store – tough to do with paws, but if he did he’d use this cloth to do it, and it also does seem to double quite well as a chew toy, which he can actually attest to. It’s super soft and won’t scratch delicate guitar finishes. We use these around the store and in the shop, and wouldn’t have put our name on it if we didn’t think it was the best polishing cloth around.

Mass Street Music guitar polish cloth (photographed on top of an acoustic guitar)

If we could just get Chucho a pair of people hands we could have him help clean the guitars...

 

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New Blazer & Henkes Guitars are in!

(We just received our annual shipment of Blazer and Henkes acoustic guitars – usually all spoken for before we even get them out of the box, but we had to share them. Check out all our Blazer and Henkes guitars here or check the links below. Also below, boss Jim Baggett shares why we love these guitars and what makes them such amazing instruments…)

Blazer & Henkes D18 Burst acoustic guitar

The Blazer and Henkes D-18 Burst

The  much anticipated arrival of Blazer and Henkes guitars has finally happened. It was a like a great holiday gift opening these up the other day. Normally the Blazers we order show up one or two at a time, but this year all five came the same day. This year’s batch includes D-18 style with a burst top, a D-18 with a natural finish, a Rosewood dreadnaught with a burst top, a Rosewood dread with a natural finish, and lastly a beautiful Rosewood OM with natural finish top.  Knowing the high standards to which Rudie Blazer and Willi Henkes hold to, it’s no surprise that all five guitars are delightful to look at and to play.

Blazer and Henkes OM-28 natural finish acoustic guitar

The Blazer and Henkes OM-28

My original association with Rudy and Willi was a result of our common interest in the great guitars of the 1930s. When they build guitars they have the great advantage of having access to a number of the finest vintage Martin and Gibson guitars. Their keen eyes, depth of understanding of wood, and high standards of craftsmanship result in new guitars that stand proud with the best of the 30s icons. I know that they compare their new guitars to great vintage guitars they have on hand – and when we receive them, we do the same. I come away thinking that the sound and feel of the new Blazer and Henkes must be very close to what players heard in 1937 – the sound that ended up giving these “Golden Era” guitars the reputation that they deserve. The sound and feel is automatically recognizable to  anyone who is a fan of that era.

Blazer and Henkes D-28 acoustic guitar back view

Check out the beautiful back on this Blazer and Henkes D-28!

I feel that as players today we are so fortunate to have such a wide array of fabulous builders from our current era, making great guitars in many different styles, from the very traditional to the ultra modern. The Blazer and Henkes are definitely from the traditional style, and they have done an exceptional job.

Blazer and Henkes D-28 Burst acoustic guitar front detail view

The Blazer and Henkes D-28 Burst finish - simply stunning.

(For more info on Blazer and Henkes guitars, check out Fretboard Journal’s 2011 interview with Rudie Blazer and our 2009 interview with Rudie.)

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