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On the Bench: 1939 Martin D-18

Mass St. Music co-owner Jim Baggett explains the next steps in the restoration of the 1939 Martin D-18 that is our latest ‘On the Bench‘ project. It should be finished and ready for sale in June or July 2012. From Jim:

1939 Martin D18 Acoustic Guitar before restoration

The '39 Martin D-18 before we began work on it.

We recently acquired a 1939 Martin D-18 (serial #73525). Always one of our favorite guitars. This is one of the dirtiest guitars I have seen in a while but, though worn through in the expected normal areas, the original finish remains intact.  The bridge is not original and the neck has been previously reset and is in need of a fresh reset and refret. Since the bridge would not be reused and there was no way of knowing the type of glue that was used, we elected to plane the bridge down very thin before removing it. This can be done with a small hand plane or a router and jig. I had just reset and sharpened my planes, and was not all that interested in spraying the shop with ebony dust, so I decided to do it the old fashioned way.

Jim Baggett shaving the bridge on a 39 Martin D18 to thin it before removing and replacing it

Jim (very carefully!) shaves the bridge down on the Martin before removing it.

 

acoustic guitar bridge in process of being shaven down prior to removal and replacement

The bridge shaving in process...

Acoustic guitar bridge shaved down as low as it can go before removal

The bridge shaved down as low as Jim would go before heating and removal.

Once I had the bridge down to about .080″, very little heat was required to free it up. It came off slowly, but not a splinter of Spruce came with it. The surface should clean up nicely, and even though the bridge that was removed was a tiny bit oversized (as is common), I don’t think it will be much of a challenge to make a new bridge that is the correct size and profile. The fact that the original bridge plate is clean and nice should make for a great tone sandwich.

 

Jim Baggett gently prying up a thinned down guitar bridge to remove it and replace

After heating, Jim gently brought the bridge up with no damage to the soundboard.

 

Vintage Martin bridge finally removed, with no damage to the soundboard

Success!

The next step was to remove the neck. The previous neck set was a bit sloppy and had excess glue, requiring patience, but it has paid off as the beautiful heel of the 30s Martins remains uncracked. The original finish, though chipped and scratched, has a great look that goes with the rest of the guitar.

vintage Martin neck removed prior to neck reset and restoration

A little patience helped Jim remove the neck, which had excess glue from a previous reset.

 

Back of the neck of vintage 1939 martin D-18

Off and ready for a reset...

 

Neck pocket of a 1939 martin acoustic D-18 guitar

The neck pocket

 

The guitar and neck are now ready for our Repair Shop Manager and luthier Mike Horan to get busy on. Making a prewar style bridge is harder than one might imagine, but having lots of original prewars at the shop and having made dozens, Mike has it down. We also have a secret stash of beautiful, naturally dark Ebony set aside for these special and deserving instruments.

The bass bout of vintage 39 Martin D-18 before restoration

The lower bass bout is just one of the areas on this '39 Martin that definitely needs a little TLC cleaning!

 

Lower Bass Bout of vintage Martin D-18 showing dirt  accumulation before restoration

The lower treble bout is another area that will get some TLC clean up!

I wanted to share some pics of the guitar in the dirty phase and will try to remember to update with more photos as the cleaning goes along. We have learned that patience pays off in this process. There is just no easy, quick way to get through 70 years of sweat and dirt, but I have always found the end result of a worn, honest finish to be worth all the effort. – Jim Baggett

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New Blazer & Henkes Guitars are in!

(We just received our annual shipment of Blazer and Henkes acoustic guitars – usually all spoken for before we even get them out of the box, but we had to share them. Check out all our Blazer and Henkes guitars here or check the links below. Also below, boss Jim Baggett shares why we love these guitars and what makes them such amazing instruments…)

Blazer & Henkes D18 Burst acoustic guitar

The Blazer and Henkes D-18 Burst

The  much anticipated arrival of Blazer and Henkes guitars has finally happened. It was a like a great holiday gift opening these up the other day. Normally the Blazers we order show up one or two at a time, but this year all five came the same day. This year’s batch includes D-18 style with a burst top, a D-18 with a natural finish, a Rosewood dreadnaught with a burst top, a Rosewood dread with a natural finish, and lastly a beautiful Rosewood OM with natural finish top.  Knowing the high standards to which Rudie Blazer and Willi Henkes hold to, it’s no surprise that all five guitars are delightful to look at and to play.

Blazer and Henkes OM-28 natural finish acoustic guitar

The Blazer and Henkes OM-28

My original association with Rudy and Willi was a result of our common interest in the great guitars of the 1930s. When they build guitars they have the great advantage of having access to a number of the finest vintage Martin and Gibson guitars. Their keen eyes, depth of understanding of wood, and high standards of craftsmanship result in new guitars that stand proud with the best of the 30s icons. I know that they compare their new guitars to great vintage guitars they have on hand – and when we receive them, we do the same. I come away thinking that the sound and feel of the new Blazer and Henkes must be very close to what players heard in 1937 – the sound that ended up giving these “Golden Era” guitars the reputation that they deserve. The sound and feel is automatically recognizable to  anyone who is a fan of that era.

Blazer and Henkes D-28 acoustic guitar back view

Check out the beautiful back on this Blazer and Henkes D-28!

I feel that as players today we are so fortunate to have such a wide array of fabulous builders from our current era, making great guitars in many different styles, from the very traditional to the ultra modern. The Blazer and Henkes are definitely from the traditional style, and they have done an exceptional job.

Blazer and Henkes D-28 Burst acoustic guitar front detail view

The Blazer and Henkes D-28 Burst finish - simply stunning.

(For more info on Blazer and Henkes guitars, check out Fretboard Journal’s 2011 interview with Rudie Blazer and our 2009 interview with Rudie.)

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Collings CJ Custom Slope Dread Pays Homage to Vintage Gibson J-35

A word from one of our owners, Jim Baggett, on the three spectacular Collings Custom CJs we recently received:

The three new Collings Custom CJs at Mass Street Music were inspired by my late 30s Gibson J-35. These are different than most modern guitars – with a short scale (24 7/8″ on two of them) and three non-scalloped tone bars (on all three). These sound very different from a typical Martin or traditional Collings. We intentionally tightened these guitars up. The sound is compressed significantly and the short scale makes me feel like a real guitar player. It’s really amazing what a fraction of an inch can do, giving you easier reach and less tension. We collaborated on three variations of these.

Collings CJ Custom Slope Dread Sitka with Mahogany

The CJ with a Sitka top and Mahogany back and sides is Jim's favorite.

 

The CJ MH SS SB Custom is a short scale with  Sitka Spruce/Mahogany, the CJ MhA SS SB Custom is a short scale Adirondack Spruce/Mahogany, and the CJ G Maple SB Custom is a standard scale (25.4″) German Spruce/Maple.  The fact that every player in our store seems to prefer a different guitar is very encouraging. I have tried to block out the opinions of others and make my own decision. The Sitka/Mahogany sent me home with tired fingers  – I just couldn’t put it down.

Collings CJ Custom Slope Dread Adirondack top Mahogany back and sides

Our Repair Shop Manager, Mike H. favors this CJ Custom with the Ad top and Mahogany back and sides.

My old fav, the J-35, is still at Collings, but if my memory serves me, this Sitka/Mahogany is the Alpha pup. Not the loudest like the Adirondack, nor the prettiest like the German Spruce/Maple, but the one that continues to surprise and tickle my curiosity.

Collings CJ Custom Slope Dread German Spruce, Maple back and sides

Our acoustic manager Tim Nelson says this Collings CJ Custom with a German Spruce top and Maple is "very responsive to even the lightest touch".

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Best First Electric Guitar Under $500 – Fender, Ibanez, Strat, Tele?

What is the best electric guitar for a beginner? It depends on a couple of things – style of music and budget being two big considerations. Most folks understandably don’t want to spend a fortune on their first guitar as they may not stick with it, or might want something else down the line. That being said, you owe it to yourself to get something built well enough that you can really play it – playing music should be fun. You don’t want to struggle with an instrument that won’t stay in tune or has a poorly made neck that gives you grief. It’s a simple fact that if it doesn’t play well you’re not going to want to practice. Get something you love so you’ll stick with it.

image of four electric guitars

The resulting contenders: Squier, Ibanez, Fender, Squier...

We asked Mass St Music staff Matthew, Alek, Ted and Anne what their recommendations were for a best first electric guitar. Each came up with something different, though these guitars have some things in common. They’re not only great first guitars, but they won’t break the bank, and can even grow along with the player – something you’ll still pick up and play years after your first lesson. Here’s what they had to say:

Matthew K: Squier Classic Vibe Tele Custom, 3 Tone Burst – $379.99

“This tele is just a timeless guitar, and affordable. It’s pretty versatile too – it can cover rock, blues, jazz. It’s really a great place to start. It’s the kind of electric that if you get it, ten years later you’ll look back on it as a respectable choice, and even if you branch out into other genres, you’ll still enjoy playing it.

Matthew at Mass St Music with the Squier CV Tele Custom electric guitar

Matthew says the Squier CV Tele Custom is 'really comfortable and extremely easy to play."

“In terms of playability, this Tele feels really comfortable and is extremely easy to play, which is perfect for a beginner. Squier really stepped it up with the Classic Vibe series – in fact the new Fender Modern Player line is made at the same place in China as the CV series – they’re built really well. The frets are seated well, which is hard to come by on an instrument in this price range. Playability is the #1 reason why players would feel the need for a new guitar after just a few months, or even stop playing if they had just started – it’s not an issue on this Squier at all. The frets are consistent and super level. The neck is great quality and it’ll last – that makes a big difference. The finish on this is just so classic too – you’ll never get sick of it.”

Alek N.: Ibanez 321MH, Blackberry Sunburst – $299.95

“This 321 has a great neck on it, for beginners or pros. It’s Ibanez’s Wizard II neck, with a very thin profile – it’s super easy to play. I love the design of this too. I like that it doesn’t have a trem, for a beginner that really simplifies things. And it’s great for a lot of styles, but if you’re into rock or metal this is definitely the one. The thin neck is great for shredding, it plays super smoothly. It also has medium jumbo frets, which are a great size for beginners too – you know they’re there, but they’re not in the way.

Alek N of Mass St Music holding the Ibanez RG321MH electric guitar

Alek says the Infinity humbuckers in this Ibanez RG321MH are something you'd find on a more expensive guitar.

“It has Infinity humbucking pickups which are really hot and something you’d find in a more expensive guitar – plus this has 5 way switching, so it’s really versatile. The quality, fit and finish are just great and there’s not a lot that can go wrong on this – the strings are through the body and there’s no trem…. It looks really sweet. I love how the grain of the wood shows through the finish – sharper than a solid color guitar. Great price too.”

Ted K.: Fender Standard Strat, Candy Apple Red – $499

“There are a million reasons why I think this is hands down the most versatile of electric guitars and a great choice for someone starting out. You can play rock, you can play country, you can play metal, you can play blues, you can play Himalayan Pan Pipes – no, no you can’t, but you can play just about anything else.

“The three pickup combination plus the volume and tone controls give you an almost infinite palette of tonal colors to choose from, from bright and twangy to thick and meaty. It’s just the most versatile guitar around. Also effects pedals go great with this if you want to get more ‘out there’ with your sound.

Ted at Mass St Music holding a Fender Standard Strat electric guitar in Candy Apple Red finish

Ted says this Fender Standard Strat offers "an almost infinite palette of tonal colors to choose from."

“Another thing I love about this guitar is that it’s infinitely customizable – It’s really well constructed, with great tone woods so with more experience you might swap out your pickups for a different sound or a different pickguard for a different look, which I think is really cool. Fender makes a lot of replacement pickguards and knobs for all different styles and colors. This one, in Candy Apple Red, is a super fun finish. Red is the color of passion – there’s a reason why it was one of the most popular Fender custom colors in the past.

“A lot of parents try to get the cheapest guitar because they think their kid won’t stick with it, but you have to get something good that won’t hurt their fingers when they play or they’ll be doomed from the get-go. With this Standard Strat, I think you actually save money in the long run – it’ll always be a workhorse no matter how proficient you become over the years – you’re always going to want a Strat.”

Anne T.: Squier Classic Vibe 60s Strat, Burst – $349.99

“I love this guitar – the three single coil pickup configuration and 5-way switching really give you a lot of versatility for many styles of music, and it’s a classic finish. Easy to play for a beginner but also you’ll discover all it can do as you get better at playing. A Strat is always my go-to for a first electric because of that, and this Squier Classic Vibe is just built well. Squier’s really changed for the better over the past few years and done some really cool instruments instead of just being Fender’s ‘lower end line’. The Classic Vibe series really shines on these, essentially, recreations of classics.

Anne at Mass St holding a Squier CV 60s Strat with Burst finish

Anne's says the Squier Classic Vibe 60s Strat gives you "a lot of versatility for many styles of music."

“This Strat has nice detailing with good frets, a 3-ply pickguard and great finish. No matter what kind of music you’re into you can do it with a Strat – rock, blues, country, surf, etc. This is a guitar that can fill a lot of needs as your skill grows. And as Ted pointed out, you can pretty easily switch out parts later – though I think the tortoise style pickguard would be hard to beat with the burst finish on this – it’s pretty slick. The price here is about $150 less than a Mexican made Fender Strat and you could easily pick up a practice amp with that and have some cash leftover for a strap or gig bag.”

Though our staff each chose different guitars, they all agreed that the starting point should be thinking about the kind of music you want to play, then going from there. The Squier CV Tele Custom, Ibanez RG321MH, Fender Standard Strat and Squier CV 60s Strat are all great choices and constructed well so you’ll actually enjoy practicing. No matter what guitar you get, make sure it has a proper set up (setting the action/intonation and checking several points) – something we offer for free with every new guitar purchase at Mass St. Music.

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Here and Gone: Vintage 1965 Gibson Firebird & Fender Strat

1965 Gibson Firebird Gold Mist in case

The '65 Firebird in a plaid vintage case

From Mass Street Music owner Jim Baggett:

Vintage 1965 Gibson Firebird Gold Mist finish - closeup

Very, very cool finish checking on this '65 Gibson Firebird in Gold Mist!

Vintage 1965 Fender Strat Sunburst

This 1965 Fender Strat Sunburst was in amazing condition - what a classic

The 1965 stars were aligned last week!  We were fortunate enough to have a 1965 Fender Strat Sunburst and a 1965 Gibson Firebird custom color Gold Mist pass through our hands at Mass Street Music. We took some photos of these guitars for the website, but they sold before we had a chance to list them on our Vintage page, so all we can do is share the cool pics here. We are always looking for nice examples of great guitars for our wish list customers and for our website. Enjoy the photos and keep checking our site as we never know when something like these two beauties will show up!

1965 Gibson Firebird Gold Mist full body

The full on '65 Gibson Firebird

closeup of the Fender 1965 Strat Sunburst

Folks thought the Firebird was cool, but I think Jim loved this '65 Strat more!

Neck stamp on a 1965 Fender Strat

Jim often checks the neck stamp date as well as the pots and pickups on vintage electrics.

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