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1936 Martin 000-28 Repair – New Life for a Family Favorite

1936 Martin 000-28 with a new period correct bridge by Mike Horan

Dan Heavin's 1936 Martin 000-28 after Mike's period correct bridge was installed, before the other extensive work began.

One of our most interesting repairs of the last few months at Mass St Music has been Dan Heavin’s 1936 000-28 Martin, which our Repair Shop manager, Mike Horan worked on. Dan, who is a civilian fire captain working on a US Military base in Afghanistan, received this amazing vintage Martin from his mother in 1996. It was originally purchased by Dan’s grandfather, new, back in 1936. It’s been well-loved and well-played over the years. At some point in the ’50s it had a significant amount of work done to it – most likely by Martin Guitars. They did a refret, replaced the inlay with larger pieces, refinished the instrument, and possibly did a neck reset. They also installed new tuners, which was the definitive clue that the repairs were done in the ’50s.

Back of guitar neck from '36 Martin, refinished in 50s, too dark

Note the refinishing done by Martin in the 50s - much darker and flatter, both on the neck and headstock

The back of the neck in particular had an unusual flat, darker opaque finish. The bridge also had been replaced with an oversized one which had been shaved away over the years to compensate for the neck angle, which over time often needs to be reset. Why the new, larger inlays, larger bridge and darker finish?

“You have to keep in mind that back in the 50s, this guitar was maybe just 20 years old and had some real wear and scratches,” Mike explained. “They weren’t envisioning it being a valued vintage piece, they just wanted to make the guitar look and play like new again.”

Mike Horan giving thumbs up that Dan Heavin's Martin guitar arrived ok

We emailed this photo to Dan to let him know the guitar arrived just fine & that Mike was about to start the restoration process

As Dan was overseas, he wanted a little reassurance we had received the guitar in once piece (even though we were about to take it apart!). We kept in contact with him, as we were able, throughout the journey of the restoration process. Mike gave Dan a ‘thumbs up’ in the photo above that everything was looking fine so far. We also documented the serial # markings for posterity.

Martin guitar serial number marking 63485

The serial number marking

Mike set about restoring the instrument, removing the neck from the body, and tackling the bridge first. He replaced it with a custom reproduction bridge he crafted in the repair shop himself. He also re-glued 6 back braces.

New custom period correct bridge on vintage Martin guitar

Mike did a beautiful job creating the new, period correct bridge

 

Custom bridge for vintage Martin Guitar

Lookin' sharp

Next up in the process was the refinishing of the neck. This was the most time-consuming of all the repairs. Here you can see Mike’s restoration with a more authentic color and a truer, translucent finish that shows the wood beautifully.

 

restored finish on back of neck of vintage Martin guitar

The restored neck shows a truer, translucent finish - nice job Mike!

 

heel of vintage Martin guitar

The neck is reattached and ready for some inlay work and the refret

Mike then reattached the neck to the body, then set about first restoring the inlays which were larger from the ’50s repair work. He pulled the inlays, filled them with Ebony, sanded them down and replaced them with smaller inlay correct for a ’36.

larger inlays on vintage Martin, not period correct

The 'before' neck with the larger inlays Martin likely put in when the other work was done in the '50s

 

New period correct inlay work on vintage Martin guitar

Check out the new, period correct inlay work

He then refretted the guitar. (Check out this Bourgeois repair for images of Mike doing a refret). Adding period-correct Waverly tuners was the last major step.

Mike Horan with 1936 000-28 Martin guitar he restored

Mike with the restored '36 Martin 000-28. It's ready for a new generation!

All in all, this extensive repair job (balanced with other repairs he was tackling concurrently) took about 8-9 months. We’re happy to report that this ’36 Martin 000-28 was shipped to Dan Heavin’s home last week.

Dan Heavin, his mother and his grandfather's 1936 Martin 000-28 Guitar

Dan and his mother with his grandfather's newly restored 1936 000-28 Martin guitar

Dan said his mom loves the guitar and that she told him, “Grandpa would be so proud of it.” He added, “Thank you all once again for doing such a wonderful job on it. The sound on it is amazing. I could not have asked for anything else. It is perfect. I played it and then played my 2010 HD-28V and the ’36 sounds so much better.” He also told us that the guitar will stay in the family and he looks forward to giving it to his own son someday.

Check out more info on our great Repair Shop here & more info on available Vintage Guitars at Mass St Music here.

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Oddity of the Month: Turn of the Century Washburn Parlor Guitar (Repair)

This Washburn Parlor guitar was inexpertly repaired years ago by the owner, when he was a young boy. He received the guitar from his grandfather who originally owned and played it. Mass Street Music Repair Shop Manager Mike Horan shares what work he’s been doing on this rare one….

inside label of an early 20th century Washburn parlor acoustic guitar

The label of the Washburn Parlor guitar - the original owner's name and 'Aug. 1903' appear in pencil

I had to take this parlor almost completely apart to remove the badly reglued joints. I installed a new bridgeplate and several braces to replace the original (destroyed) small Spruce bridgeplate.

clamps on interior front of 20th century Washburn parlor guitar

Clamps hold the new bridgeplate in place til it's dry

The back and sides on this are beautiful Brazilian Rosewood. I’ve reglued all the back braces and glued countless cracks and even spliced in a piece of wood. The back is about to go back on and be refinished.

Back piece of early Washburn parlor acoustic guitar

The inside of the back which is much stronger now thanks to Mike's expertise.

 

view of internal bracing of early 20th century Washburn parlor guitar

Gee your braces look beautiful!

 

back piece of an early 20th century Washbur parlor guitar

Beautiful Brazilian Rosewood on the back of this guitar. It will soon be reunited with the rest of the parlor and refinished for a new lease on life.

(We’ll post more photos when Mike is done resuscitating this beauty!)

 

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New On the Bench Project: ‘Ugly Duckling’ ’40s Gibson J-35

1940s Gibson J35 acoustic guitar, close up

Jim's latest fixer upper is this well-loved J-35 from the '40s

 

This Gibson J-35 is from the 1940s. Mass St. Music co-owner and luthier Jim Baggett below discusses what he called the ‘Ugly Duckling’ and how he’s breathed new life into it. Check out all of our ‘On The Bench’ instruments here.

From Jim:

About six months ago, this not so pretty 1940s Gibson J-35 showed up at Mass St. Music. Frets were worn to the nubs and the top finish had been botched up with some pretty crude finish work and repairs.  I didn’t pay much attention to the guitar at first, but being a J-35 fan, I finally picked it up.  I was pleasantly surprised with the tone and realized that in spite of the cosmetics, the guitar was in pretty decent shape.

Bridge 1940s Gibson J-35

The toothy saddle here won't win any beauty contests...

 

bridge with saddle replaced

New saddle in place, lookin' good.

The original owner must have appreciated the tonal characteristic, as the play wear was all the way up the neck. I just recently refretted the guitar and replaced the deeply worn, but original saddle. The guitar has completely jumped back to life. I have decided to do nothing about the cosmetic appearance of the top. I may fill the open control knob hole in the top, but realizing that it has no effect on the tone, my current thought is to stick to my original objective of dealing only with the the guitar’s strengths, which are tone and playability. It has become like a comfortable pair of shoes.

front Gibson J-35

The Ugly Duckling 1940s Gibson J-35 'before' photo - new frets are in but saddle yet to be replaced.

 

Jim Baggett working on a vintage Gibson J-35

Jim at his bench working on the J-35

 

Headstock 1940s Gibson J-35

The homely headstock

 

Close up of hole in top of 1940s Gibson J-35

Formerly housed control knob, now just a hole.

 

New frets (close up) on Gibson J-35

The J-35 with some spanky new frets

 

Gibson J-35 1940s refretted and new saddle in place

Unmatchable tone and now great playability is restored.

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Oddity of the month: A Harwood Instrument Trifecta

 

Harwood guitar with strings off

This Hardwood guitar is a customer's, currently in for repairs, but we had to share an image of it with you.

Mike H. in the Repair Shop just shared with me that we happened to have three Harwood instruments from two different customers in for repairs right now. The history of these turn of the 20th century instruments was recently featured in Fretboard Journal. One guitar had the neck off for repairs, but here are photos of the other guitar and one mando – just beautiful and so well made.

Harwood guitar close up of soundhole

Really nice soundhole inlay on this Harwood

 

One of these belongs to a good friend of the store, who incidentally is related to the folks who ran Jenkins Music in Kansas City, which sold Harwood instruments. These were made in the late 1800s – early 1900s and look like they will stand the test of time after a little TLC from our repair shop.  Fretboard Journal’s fantastic article on the history of Harwood can be found in their Issue 23 which had Gillian Welch on the cover.

Harwood mandolin or mandolino

This Harwood mandolin is a real beauty.

 

Harwood Mandolin closeup of pickguard

A closeup of the Harwood mando's decorative pickguard

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New On the Bench (& Update!): Bourgeois Slope D

Bougeois Slope D acoustic guitar before repairs completed

Mike H. is doing a bridge reglue and refret on this Bourgeois Slope D

Our repair shop manager, Mike Horan, originally was just going to do a bridge reglue but we’re now also doing a refret, so this should be ready around the beginning of April. This Slope D is going to be killer when it’s finished. Here’s a look at the before pics (more posted here, along with other ‘On the Bench’ projects here). We’ll post updated photos when Mike’s done with the job and this beauty is up for sale.

March 2012 – It’s done, and Mike did a spectacular job!  You can see full photos of the completed guitar on our Mass St Music website. Here are some images of Mike in the process of the refret job…

guitar refret job, placing the fret

Mike carefully places the fret

 

guitar refret job, wetting the fret space

Mike often wets the area before placing the fret for a better fit

 

guitar refret, hammering fret into place

Mike hammers the fret (carefully!) into place

 

freshly refretted guitar

Mike does some detailed finish work after placing the frets so it's smooth and sounds perfect

 

guitar bridge reglued

Mike also reglued the bridge on this Bourgeois Slope D

 

Bourgeois Slope D acoustic guitar just refretted

The Bourgeois Slope D has a new lease on life now

 

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