Check out what the Mass Street Music staff is drooling over this month…
Dr Z Maz 18
Matt Christenot – Dr. Z Maz 18
Maz 18, Black with Black Grill, amazing. The Maz sports a set of EL84s which will please any fan of the VOX AC30, the good doctor’s design however takes it to the next level. It’s powerful, yet subtle, and feels at home in a multitude of gigging situations.
Our bass guru, Matthew Khomsi, gives an in-hand review of the new Fender Road Worn 60s Jazz Bass:
Fender Road Worn 60s Jazz Bass
On the whole, this bass reigns in all of the most important attributes when deciding on an instrument: tone, playability, comfort and looks. First, the overall tone is extremely flexible – this is the most versatile Jazz bass from Fender I’ve heard or played to date. When I refer to the versatility of this bass, I’m talking about how different the pickups actually sound when you slightly adjust the volume on the neck vs. bridge pickup, how that relates to the master tone knob and how the player’s style, whether with fingers, thumb or a pick, alter the sound. The harmonics are killer. Oh man, was I surprised when I started playing some Jaco and the parts just sang!
When analyzing the playability of this bass, it became obvious very quickly this Road Worn is easy to play. The slightly worn in neck gives it just enough of a “broken-in” feel to understand why “relic’d” instruments are so popular. Your hands fall right into place when you pick this up; it really separates itself from a run of the mill standard Jazz bass.
I can accept that purchasing a beat up instrument may not be everyone’s cup of tea. However, I’d suggest looking at how the instrument is going to be in 5 years, when you start to put your own dings and nicks on it – the relic will absolutely start to feel more your own. Beyond the cosmetics, no one can deny that the relic hastens the comfort one feels when picking up a new axe.
Now I can acknowledge the “Made in Mexico” stamp may deter you when checking out this bass, but let me reassure you, if you’re interested in excellent tone and feel, this is demonstrably a better bass than virtually any other Jazz even close to this price point. – Matthew Khomsi
Billions of pedals out there in the naked city – but what do musicians really use? In this new series we’ll take a look at what our own staff uses when gigging. First up, our accessory and guitar expert Matt Christenot:
The innards of Matt C's pedal board
I like a clean pedal board. It took a while to achieve, but with the help of a One Spot chain and custom cut George L cables, I was able to make it happen. I love the combo of the RC Booster and AC Booster – the RC is a perfect clean boost and light overdrive while the AC gives you great moderate to heavy gain – BUT used together, leaving the RC on, the AC sounds really phenomenal. They go together like peas and carrots. For a wah I’m using the Fulltone Clyde Wah that has had an LED light added by Keeley. Fortunately for me, they finished modding it before their workshop burned down. Speaking of Keeley, I also use their great Keeley Compressor – it’s one of the most subtle yet effective compressors – you almost don’t realize how much it’s doing for you til you turn it off.
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